After a brief conversation, Karagöz and Hacivat began to bandy words with each other. Here, poems called “semai” and “perde gazeli” are read out. The puppeteer behind the curtain is called “hayali” and can make changes to the content of each section.Īs part of the introduction, some showpiece depictions and words that have sometimes nothing to do with the content are put on the curtain to attract the audience to the atmosphere of the play. The shadow play consists of four parts: “mukaddime” (introduction), “muhavere” (conversation), “fasıl” (main play) and “hitam” (ending). Until the early 20th century, the play was in great demand both among the public and in the palace.Ī backstage view from a Karagöz and Hacivat shadow play. Thus, the Karagöz-Hacivat play culture in the Ottoman Empire was created by Sheikh Kushteri.Īs of the 16th century, in particular, the shadow play spread throughout the empire it was performed in the palace, mansions, houses and coffeehouses at special occasions such as marriages, births, circumcision feasts, Ramadan nights and Qurban Bayram (Eid al-Adha). When he asked him to make a story of the dialogue between these two, Sheikh Kushteri said that he could make them play on a shadow-show screen. He summoned a Sufi scholar named Sheikh Kushteri and asked what kind of a people Karagöz and Hacivat were. However, he had some qualms about his decision due to its negative effect on the public. Then, Orhan Gazi decided to execute both of them, which led to great sadness among employees and the public. Hereupon, the chief architect complained about Karagöz and Hacivat once more. ![]() Even if Orhan Gazi warned them, he saw that the construction of the mosque did not progress as he had expected in his next inspection. The chief architect cited the jokes of Karagöz and Hacivat as the reason for the delay of the construction. Hacivat was a courtier of the Seljuk Sultan and called “Yorkça Halil.” They met sometimes and entertained the public with their jokes, which turned into a shadow play in time. Karagöz was a Roma named “Sofyozlu Bali Çelebi” and worked as a stableman for the emperor. ![]() According to rumors, Karagöz and Hacivat are half-true and half-mythological characters.Īccording to Evliya Çelebi, they lived in the time of the Anatolian Seljuks. ![]() The first one to use the name “Karagöz” was the famous Ottoman traveler Evliya Çelebi. We see the initial information about this shadow play in the Ottoman documents of the 1500s. After all, although the Roma people’s migrations took place in the 11th century, there was not the slightest trace of shadow play in Anatolia until the 16th century. Also, shadow play hardly ever exists in northern India, from where Roma people came. But this is not a satisfactory explanation, either, as there is no well-established tradition of shadow play in India. Another rumor is that the play may have come with Roma people who migrated from India to the West.
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